A Culture of Exploitation: "Reconciliation" and the Institutions of Canadian Art
The relationship between Canadian cultural institutions (art galleries, museums, funding agencies, collections, etc.) and Indigenous peoples has always been a contentious one.
The theft of Indigenous bodies and objects by these institutions is an ongoing feature of colonialism in Canada and even as Indigenous art broke into mainstream Canadian consciousness, the relationship was beset by tokenism and inequality. It was only during a period of activism that culminated in 2017, did these institutions begin to express a commitment to reconciliation. And initially, the results of the “reconciliation year” were positive with increased representation and support. However, since then and in the midst of a pandemic, those commitments have begun to evaporate.
This Special Report by Jas Morgan (prev. Lindsay Nixon), considers themes in the historic relationship between Indigenous people in the Institutions of Canadian art and culture to contextual a series of interviews conducted with cultural workers during the COVID-19 pandemic, and which reveal a renewed exploitation of their labour and their works. Finally, the Report offers 15 Standards of Achievement that can serve as a guide for institutions and governments to begin reversing this exploitation and renewing the relationship.
This report was produced with support from the Inspirit Foundation.
What are the tools that communities of makers can deploy to hold each other, and their powerful partners accountable? How can the tokenization, marginalization, exploitation, and latent conflict and trauma within these institutions be addressed?